Sneha Khanwalkar, musical brainchild behind the success of GANGS OF WASSEYPUR ("Jiya Tu", "O Womaniya", "Hunter" and "Keh Ke Loonga") has impressed big-wigs of tinsel-town and this sequel again puts her again in the driver's seat. Loaded with immense gory violence, deceitful characters, eye-opening realistic facts and off-course an unfulfilled vengeance feel, this sequel will surely be the one special big-screen feast for the cine-lovers. Gangs Of Wasseypur Lyrics Jiya Tu Lyrics Hunter Lyrics O Womaniya Lyrics Keh Ke Lunga Lyrics Bhoos Lyrics Ik Bagal Lyrics Soona Kar Ke Gharwa Lyrics Aey Jawanon Lyrics Loonga Loonga Lyrics Manmauji Lyrics Bhaiyya Lyrics Tain Tain To To Lyrics Humni Ke Chhodi Ke Lyrics Check out lyrics of all songs -> Hindi Lyrics Gangs Of Wasseypur Song Lyrics DetailsGANGS OF WASSEYPUR II (GOW II) opens big on expectations and mercurially high on "curiosity quotient", as its prequel (GANGS OF WASSEYPUR) was one of the most well-received film of our times.
Durga, 12 year old singing prodigy childish vocals are energized with jarring electronic sounds and rhythms, and later with aggressively thrived electronic fillers, showcasing a thrilling "chase" between characters. Cantankerously Chirpy! GOW II starts off dark, haunting and volubly shrill in the opening track "Chhi Chha Ledar", a number that brings satirical tones of unexpected happenings in this gory thriller. Frustiyaao nahin moora, Narbhasaao nahin moora, Anytime moodwa ko, Upsettaao.
The soundtrack comes out as evocative background score, where a barrage of emotions strikes a child's mind, leaving him in a state of dilemma. Khanwalkar pitches an "abstract" musical work this time that is too heavy on experimentation where Kids of Musahar village plays as the choral vocalist of the track. Rasika Rani's earthen voice in louder tones leads the show that hardly impresses but it's the racy concoction of electronic fillers in the latter phases that strikes senses.Gangs Of Wasseypur 2 all songs lyrics & videos starring Richa Chadda, Nawazuddin Siddiqui, Jameel Khan, Syed Zeeshan Quadri, Aditya Kumar, Reemma Sen directed by Anurag Kashyap produced by Anurag Kashyap,Sunil Bohra and released in 2012"Bahut Khoob", a dizzy childish track with loads of electronic fillers, brings out the varied mindsets of childhood memories. As far as the composition is concerned, Bihar's folksy thrives are mixed with "club-remixes" maneuvers in Hinglish lyrical flows to deliver out a bizarre dancing feel for the occasion but the end-result is too ordinary.
"Aabroo", a vociferously gibberish "qawalli" number paints him in a different singing avatar. Khanwalkar captures the innocent and chirpy sentiments of a customary Bihari wedding with aplomb, as she did in "O Womaniya Live" where "tongue-in-cheek" wordings (about thin physical stature of bridegroom) added the desired spice and fun to the situation, a colourful engrossing affair on big screen is surely on cards.Piyush Mishra on-screen presence was convincing and his sung track "Ik Bagal" (GOW) too made a strikingly expressive impact. It brings Padamshree Sharda Sinha's impressive voice to the fore with simplistically set of harmonium, tabla works going in tandem with loud chorals.
Bulbul Tarang with Baal Party delivers a tangy sharp brief instrumental work that primarily moves with bizarre sounds.GOW II sums up with an enthralling note, a punch-line ("Keh Ke Loonga") of its prequel, getting aggravated and blasted with thumping electronica and trance filled fillers in impressive sounding "KKL". Feel is refreshingly international but the treatment is very much "desi", a fine mix of amusing sounding lyrics and thriving electronica filled synth-beats that gives it a true soft-rock outlook, a composer's soundtrack all-together that is enriched with desired mixing and mastering."Tunya", an instrumental number, similar sounding to "Perpendicular (theme)", is a brief siren cum metal-punching sounding number. Khanwalkar uses her prowess of imbibing potential naive singing talents to the extreme by pitching out Deepak Kumar, a 15 year singing prodigy in this enchanting musical piece. Robbie Styles back-up vocal support gives it an international feel, an aesthetically pitched background score that should work in light moments of this flick."Moora (morning)" is more vocal, crisper and funkier.
Despite having no great probable chartbusters in its credit listing, soundtracks like "Chhi Chha Ledar", "Kaala Rey" and "KKL" turns to be the most impressive of the lot while "Taar bijli" and "Moora" has notable situational appeal. Sneha Khanwalkar succeeds once again with this album by delivering out set of tailor made vocal as well as instrumental numbers that works potentially. Sneha Khanwalkar ends this blood-curdling action saga with a bang a track that brings the all the negative and gray shades in this gruesome sounding number, a well-conceived situational score that has a desired substance to impress.GOW II comes out as a creditable sequel to the much-acclaimed GANGS OF WASSEYPUR, an album that once again showcases the dexterity, potential and credibility of the composer.
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